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Users can adjust playback settings, apply effects, and synchronize video with audio, making it easy to create captivating visual sequences. The software includes a comprehensive timeline editor that enables users to fine-tune their video cues with precision. This feature is particularly valuable for synchronized presentations, live performances, and multimedia shows. Users can create and organize video cues, ensuring that each clip is played at the right moment during the event. Mitti excels in its ability to provide cue-based video playback. The drag-and-drop functionality and keyboard shortcuts further enhance the user experience, allowing for quick and precise cueing of video clips. Whether you’re a seasoned professional or a newcomer to live events, the organized layout and straightforward controls of Mitti make it accessible and efficient. The software offers an intuitive and user-friendly interface that streamlines the video playback process. 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We can now easily sync the real world with the internet world, changing life as we have known for thousands of years. In the future, humans have redefined internet development and connections. This sequel to "Cytus" brings back the original staff and is a product of hardwork and devotion. It's our fourth rhythm game title, following the footsteps of three global successes, "Cytus", "DEEMO" and "VOEZ". "Cytus II" is a music rhythm game created by Rayark Games. Sublime Text automatically handles scaling UIĮlements based on the screen density. Integer units in a theme referring to dimensions are always specified inĭevice-independent pixels (DIP). Sublime Text willĪutomatically use the version when being displayed on a high-DPI All file paths in the theme definition should reference theĪ second version of each texture should also be included at double the DPI, added to the filename right before the extension. Saved at “normal” DPI, where each pixel in the file will be mapped to oneĭevice pixel. Texture Images □Īll textures in a theme are specified using PNG images. Subsequent rules that match will override properties from previous rules. All rules are tested, in order, against each element. Unlike CSS, a Sublime Text theme does not do specificity matching when applying The follow sections discuss information about images and how to specify styles. Some properties areĪvailable on all elements, while others are specific to an individual element. Properties refer to all other keys in the JSON objects. The "platforms" key is an array of strings specifying the what operating Parents must be ordered from furthest to closest parent. "attributes" that must be matched in a parent element. The "parents" key is an array of objects specifying the "class" and A complete theme will have many more rules to cover all elements used in An optional key “variables” with an objectĬontaining variable/value pairs may be added. Should be an object containing a key “rules” with the value of 3179Īn array of rules. sublime-theme file contains a single JSON document. It isĪ JSON format that specifies rules for matching elements and modifying theirĪ. Sublime Text themes are implemented via the. The properties set on each element can beĬonditionally changed based on user interaction and settings. UI can have up to four layers of textures or fills applied, with properties toĬontrol opacity and padding. Prevent texture degradation and provide full alpha control. The theme engine for Sublime Text is based on raster graphics. The highlighting of source code, markup and prose is Refers strictly to the look of the UI – buttons, select lists, the sidebar, To set it up for LaTeX you need to install SublimeLinter3 ( ), then install the ‘chktext’ plugin from package control ( ).The look of the Sublime Text interface is controlled by themes. There is a linter package for Sublime that you can use for your project. There is also a little outdated, but useful guide with detailed instructions from MIT that might be useful: Zotero bib file sync: if you use Zotero for managing citations and loathe to manually setup your bib files, good news (again)! You can set up Zotero with the BetterBibtex plugin to create a bib file from your selected folder that updates every time you make a change to it in Zotero. The LaTexTools integration is not mentioned on the GitHub page, but it works with that as well. Easy to install and works with LaTexTools and LaTexing as well. However, you can enhance your experience with some added packages (let alone a few more minutes of the illusion that you spend your time productively while not writing).Ĭode autocomplete. Sharelatex can be a nice browser based alternative (and great for collaborative projects) and a good starting point for said tutorials and templates. As this is not a LaTeX tutorial, I won’t (and probably can’t) go into details about that, but the internet is filled with great tutorials and templates. The joyful minutes of productive procrastination are over and you can now work on your tex file in Sublime. Now that the hard part is over, you are basically done. It can be a little long process, but worth the effort. You can see the overview of the package on github. The setup of LaTexTools is the most complex part of this enterprise but fortunately, the developers walk you through the whole process. As with anything, it’s more about personal taste rather than a dealbreaker feature (if you are inclined, there’s a discussion thread up on StackExchange to see some other views and experiences). The thing is that LaTeXing is not open source so I would recommend using LaTexTools as the developers and the community seems more active in fixing bugs and pushing updates. There are two main packages for doing LaTeX in Sublime 2 and 3: LaTeXing and LaTexTools. These rigs, these structures which drive the different parts of the characters, make them way easier to animate, with nice and intuitive controllers. To do this, we had an extensive use of Duik, a rigging and animation tool set I have developped for After Effects, which works a bit like the rigs which can be done in 3D softwares. Rigging!Īt this point, we were ready to bring those files into After Effects to setup the characters, create their rigs. In the end, the Photoshop files were quite big, with a LOT of layers… Just some of the layers needed to animate the character.įor this latest character, Whome, we had a bit more work, as the goal was to animate a dialogue, and work with expressions, we had to draw a library of expressions, for the eyes, the eyebrows, the mouth…Īs I really don’t like animations where the mouth moves but not the chin, we even drew three head shapes, to adapt the shape depending on the mouth displayed. We could have re-drawn them, but as we were just working for some tutorials, we did not have that time to do it. In the process, we lost some subtleties of the illustrations, this rough aspect I like, and some textures. These are the layers we actually used in the animation. That was the first step in this work, a lot of organization and drawing in Photoshop. With Léa, we had to separate each part which had to move in the animation: cut the hands, the toes, the legs in two parts, separate the eyes from the face to be able to move them, etc. Justine was kind enough to give me here Adobe Photoshop source files – where she had kept different parts of the characters in separated layers – but as they were never meant to be animated, the layers could not be used as they were… Imagine you have to print this character, and articulate the different parts… Angry Girl, a little girl a bit more expressive… Adapting the characters for animation To state this in a simpler way: although I was going to animate this digitally, I needed characters which could be printed and animated as real paper cut characters.Īs I truly loved those designs, I could not resist to pick a third one, to animate a more expressive walk cycle than what I was going to do with Goyle. Because Adobe After Effects is not a traditional, hand-drawn animation software (actually, it was not made for animation at all, but for compositing), I had to pick characters in this particular pose, where the body can be oriented three quarters from the camera (which is visually nicer than profile or front), but the legs and arms had to be on the side, able to translate in 2 dimensions only without breaking the perspective. I had my two characters, both were ideal for 2D animation, and I saw that they could “ easily” be adapted for my cut-out technique in After Effects. Whome, who’s very expressive, was gonna be ideal for animating a dialogue. Goyle was my first choice, he’s ideal to animate a walk cycle. And do have a look at them, they’re gorgeous). Justine did not have enough time to create characters specially for this course, so I had to pick in her past illustrations (click on the images to have a better look at them. I needed two types of characters: one standing, to be able to animate a walk cycle and all sorts of actions, and a close-up to animate a dialogue and do some more precise acting. Thanks to the help of Léa Saint-Raymond, we could achieve this quite quickly, this is our process. I’m glad she said yes, but I still had a lot of work to be able to animate her characters. I wanted to work and share original characters, so I asked my friend Justine if I could use some of her illustrations. This means they can be very detailed, with textures, shadows and small details, which would be impossible if you had to draw each frame by hand like with more traditional 2D animation.Ī few months ago, I’ve decided with Rainbox to create a comprehensive animation course on video (in French for now, but an English version is on its way), to be released on the internet. What’s great with animation in After Effects, is that you work on the actual illustrations, you don’t have to re-draw them. The technique I used, Duik in After Effects, seems to be one of the easiest way to do this, animate illustrations, without having to adapt the style. They were not meant to be animated at all, so it could be a bit tricky to adapt them. What’s interesting is that those characters were… Well, illustrations. I’ve been very happy to work on Justine Cunha‘s wonderful illustrations recently, and I’m going to share my process with you. Next time there is a NASA or JPL press conference or photos of a roundtable meeting, have a glance around the table and count how many MacBook Pros there are compared to Windows laptops. FaceTime updates provide more natural video calls. iOS 15 introduces new ways to stay connected, powerful updates that help users focus and explore, and intelligent features to get more done with iPhone. Settings General Software Update Install Now Install Tonight. Choose the new Beta Updates button (it may take a moment to appear). easy tricks for optimizing your iPhone storage. Launch the Settings app on your iPhone or iPad (running at least iOS 16.4). It is also the OS of choice for science professionals. iOS 15 introduces Live Text using on-device intelligence, redesigned notifications, upgrades to Maps, and more. Go to Settings > General > iPhone Storage to delete large files and apps. Mac is still the #1 choice for creative professionals worldwide. Serious work = Music Production, Video Editing, Photo Editing and pretty much anything where performance and stability is essential. I didn't even bother mentioning that a Mac can run Windows if the user so chooses. Download and install Stray on Mac: In the Steam app, click on the Library tab, where you can see all the games you own. If you have both Systems then you have NOTHING to say in this Topic beside: Macs are NOT for Gaming. I own both, so spare me your Fanboy BS about a system you have never used and have never owned. My gaming PC is great for gaming, but when it comes to serious computer work, the Mac OS is lightyears ahead of Windows. I can run the majority of them on my MacBook Pro M1 in Full Screen, just like a regular application. Note that the Grand Bazaar is closed on Sundays, so if you choose a Sunday departure, you’ll explore the nearby vibrant Spice Market, filled with delectable and colourful Turkish spices, treats, coffees, and teas. Meet a few of the local characters, perfect your haggling skills, have a true Turkish coffee, and shop till you drop. Lastly, you’ll seek out treasures of a different kind in Istanbul’s famed Grand Bazaar, which offers up 3,000 shops to explore along 61 streets. This opulent complex overlooking the Bosphorus is a true Istanbul treasure, with many colourful stories about the rich sultans who lived there between 14. Once you’re filled with Turkish cuisine, Topkapi Palace awaits. You’ll enjoy friendly conversation with members of the community and learn about daily life in Istanbul. Need a break? We’ll step back to the present and join the locals as we lunch in a hidden café. Chariot races once took place along this strip, which was also home to the notorious Nika riots - a dramatic political protest in 532 AD that led to the massacre of tens of thousands of people. Today, this charming promenade is a popular meeting point for Istanbulites, but it is also an integral part of Turkish history. Next, your Istanbul city tour will take you to the ancient Hippodrome. Don’t forget to ask your guide the significance of those six spires. Sultan Ahmet I’s Blue Mosque is one of the most striking sights in Istanbul, with its iconic blue-tiled walls (the tiles number in the tens of thousands!), 260 windows, and six minarets. You’ll then head just across the street to the jewel in the Istanbul crown. It’s also a movie star: anyone who’s seen From Russia with Love will feel a bit like James Bond when they step inside. This mind-bogglingly beautiful site is also somewhat of a chameleon - it has lived its long life as a church, a mosque, and now as a museum. This masterpiece of Byzantine architecture stands tall and proud in downtown Istanbul, holding within its walls more than 1,500 years of Turkish history. Start your Istanbul tour with a dose of awe at Justinian the Great’s Hagia Sophia. On this tour you will have a chance to try different Turkish delicacies at local cafes, and in doing so you will be supporting small, locally-owned business.Ĭan you “conquer” Istanbul in just one day? We’re certainly going to try! Take a journey from Byzantium to Constantinople to Sultan Mehmet Fatih’s city of Islam on this historical tour that stops at some of the most iconic sites in Turkey while also showing you the city’s exciting present.Your tour includes entrance fees to all of them, which helps to preserve these important cultural sites. On this tour you will visit cultural heavy hitters like the Hagia Sophia Museum, the Blue Mosque, the Hippodrome, and Topkapi Palace.Local Impact: How you will help the local community by joining this tour: Listen to colourful stories of sultans at Topkapi Palace and explore all the site’s ancient treasures.Haggle with local vendors and get lost in the labyrinth of alleys that make up the famous Grand Bazaar.Enjoy a tasty Turkish lunch with locals in a hidden restaurant.Stop at the spine of ancient Hippodrome and imagine the chariot races and glorious gatherings in the very heart of the city for thousands of years.Take in the majestic Blue Mosque and learn about the delicate, intricate art of tile that makes up this world-famous site.Visit the mesmerising ancient site of Hagia Sophia and marvel at this 1,500-year-old masterpiece of Byzantine history.Finish it all off with a backstreet tour and some good-natured haggling with local artisans in the Grand Bazaar. Eat a tasty Turkish lunch with locals at a hidden restaurant, then listen to stories of how generations of sultans lived at the grand Topkapi Palace, overlooking the gorgeous Bosphorus Strait. Visit Turkey’s iconic UNESCO-listed historic spots such as the jaw-dropping Hagia Sophia, the beautiful Blue Mosque, and the pretty, tree-lined ancient Hippodrome, and learn how Istanbul has stood strong through the centuries. This is the ultimate all-in-one introduction to the sites everyone must-see in Istanbul, with a locals-know twist. Journey in the footsteps of the city’s most famous ruler and conquer Istanbul in just a day. Either I conquer Istanbul or Istanbul conquers me. Product innovation for the on-the-go consumer is a big focus. At the time, the company also identified zero sugar as an innovation opportunity, adding two “zero sugar” Vanilla and Dark Blend SKUs, but those also didn’t make it north of the border, at least for the initial launch. The beverage giant touts the new product as “sips like a Coke and finishes like a coffee,” and claims it will “reinvigorate and refresh” Canadians’ coffee routines.Ĭoca-Cola with Coffee’s initial creation stateside was informed by company insights that more than 50% of Coca-Cola drinkers and coffee loyalists enjoy both beverages on a regular basis, saying that many consumers are torn between which to consume for an afternoon pick me up. It is working with several agencies including MediaCom, Weber Shandwick, Havas and Salt XC.Īccording to Coke, Coca-Cola with Coffee is available in nearly 60 other markets around the world – and after its successful launch in the United States – it was time to bring the “innovative product” to Canada. Shoppers will also see Coca-Cola with Coffee advertising at point-of-purchase in stores across Canada. It is targeting consumers through high-reaching display tactics which includes strategic partnerships online, connected TV and social, as well as through retail agnostic partners like Flipp and Reebee. The company tells strategy it’s rolling out a launch campaign that is digitally-led and fully integrated across all marketing channels. launch last year had an additional flavour profile, caramel, that didn’t make it to Canada. After giving people a taste of space with its February production innovation, Coke is coming back to earth a bit by launching Coca-Cola with Coffee in the Canadian market.Ĭoca-Cola with Coffee is infused with Brazilian coffee and is available nationally in two flavours, Vanilla and Dark Blend, containing 49 mg of caffeine per 355 mL can. |
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